Word Art Rollerskaters for T Shirts for Women Ideas

(50–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Dominicus/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you lot've e'er taken an art history form or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Every bit with other subjects, about of what we acquire almost art history today even so centers on white men from Europe and, later, the Usa. In reality, at that place are so many more artists of all genders to learn from and appreciate.

Hither, we're specifically taking a look at but some of the women who take had lasting impacts on their art forms. From some of the fine art world'southward most iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, withal have a manus — in changing the globe of fine art and how we define information technology.

Laura Wheeler Waring

Laura Wheeler Waring'southward portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than than thirty years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Flick Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was office of the Pictures Generation during the 1980s, and is possibly most well known for her series of Untitled Pic Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of diverse generic female person picture characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'due south influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Slice, 1964, and a moving picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York Urban center in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You lot might first think of Yoko Ono as a musician and activist, but she'southward too an accomplished performance and conceptual creative person. Ono was considered a pioneer in the performance art motion, earning the nickname the "High Priestess of the Happening".

1 of her most revered works, Cut Slice, was a performance she commencement staged in Japan; Ono sat on stage in a squeamish suit and placed scissors in front of her, and, in an deed of daring vulnerability, invited audience members to come on stage and cut away pieces of her wearable. "Art is similar breathing for me," Ono has said. "If I don't do it, I first to choke."

Betye Saar

Betye Saar's Black Daughter's Window, 1969 (total and detail). Photos Courtesy: Museum of Modernistic Art (MoMA)

Earlier condign a printmaker and activist, Betye Saar studied design and was employed equally a social worker. A printmaking elective changed her entire career trajectory — and, in turn, part of the trajectory of fine art history.

Saar was function of the Black Arts Motility in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you tin can get the viewer to wait at a work of fine art, and so y'all might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is best known for exploring themes similar decease and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as one of the about influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'due south Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, just she'southward also known for her hyper-real sculptures, polka dots, installations, and and then much more than. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Erstwhile Beginning Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama'southward portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, frequently doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'south work — and her signature grayscale skin tones — every bit she was the first Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Cherry With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'due south landscapes, flowers, skulls, and, only maybe, the skyscrapers of New York Urban center. In the 1920s, she was the first woman painter to gain the respect of the New York fine art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Panthera leo for best artist in Okwui Enwezor's biennial exhibition All the Earth's Futures, office of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York City. She used her piece of work to question order, identity, and racial politics by demanding the audition to confront truths almost themselves. She often challenged people on the streets of New York to gauge her race, socio-economic class, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'southward poses in front of a photograph in her exhibition Our Business firm Is on Burn down at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — earlier the Islamic republic of iran Islamic Revolution took place. She is all-time known for her photography, flick, and video work, much of which explores the relationship between Islam'southward cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Every bit a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertizing billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act every bit meditations on various concepts, such as trauma, noesis, and promise. One of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore'due south art addresses identity and history — and, in item, houselessness and the voicelessness of the Showtime Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous Northward American culture. In 2005, she was the start Ethnic woman to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider to a higher place — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Sense of taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Blackness American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'due south seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was i of the major figures within the early Feminist Fine art movement. As exemplified in her iconic work The Dinner Political party, her installation pieces often examine the function of women in history and civilisation — in the 1970s and earlier. While at California State University in Fresno, Chicago founded the offset feminist art program in the United States.

Augusta Vicious

Augusta Savage with i of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, oftentimes of Black folks, Brutal founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the offset Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Mod Fine art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Just look upward her most famous work, Interior Curl, and you'll see what we mean.) She used her trunk to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'southward work challenges traditional power relations. In addition to documenting New York City'southward queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'due south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to y'all? Well, that'southward the idea! Elaine Sturtevant, who went by her last proper name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based creative person, Asawa'southward last public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World War Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the historic period of nine. She uses her photography to examine social norms, and, in doing and then, displays various subcultures in formal portraits — merely in a mode that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global bug such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who likewise specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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